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Three plays in rotation · returns queue opens at 18:00 · every seat’s sightline is published
In rotation 3 plays
Next performance Sat 29 Aug · 14:30
The company 12 people
Access performances 6
The house 412 seats · Thrust
The rotation 4 Aug – 2 Oct 44 nights 61 performances

Three plays
kept alive
at once

A repertory company does not run one play at a time. The same 12 people carry all of them, turned over between a Wednesday matinée and a Thursday evening. It is the hardest way to run a theatre and the only one that builds a company.

The ghost light · burning on an empty stage since 1974

01

The Weir Keeper

Aoife Brennan
dir. Mercy Okonjo

2h 20m · one interval
4 Aug – 2 Oct
28 performances

Dates and seats

02

Uncle Vanya

Anton Chekhov, in a new version by Ruth Falk
dir. Mercy Okonjo

2h 40m · one interval
11 Aug – 22 Sep
16 performances

Dates and seats

03

The Beggar’s Opera

John Gay and Johann Christoph Pepusch
dir. Sanna Ilves

2h 05m · one interval
18 Aug – 30 Sep
17 performances

Dates and seats

The same nine weeks, three times over

The Weir Keeper
Uncle Vanya
The Beggar’s Opera

The vertical mark is today. The bars are drawn from the performances themselves — no production carries an opening date or a closing date as a field, because a field is a number somebody has to remember to change.

What you will see from your seat

412

seats

in 17 rows

1.8 m

nearest seat

row A, centre

17.5 m

furthest seat

back of the gallery

237

see the whole stage

58% of the house

75

lose the top of a tall set

rows K, L and M, under the gallery

38

are on the flat

rows B and C, priced accordingly

Every theatre sells you a seat and shows you a coloured blob on a plan. This house is a thrust stage built in 1974 with two faults it has never been able to design out, and both of them are arithmetic rather than opinion.

The first three rows are on the flat, so from rows B and C the floor at the very front edge sits behind the head in front of you. The gallery is deep, so the back three rows of the stalls lose the top of a tall set. Both are computed from the section drawing, per seat, and printed before you pay rather than discovered on the night.

One consequence is worth stating plainly: for a tall set, the cheapest seats in the gallery see more of it than the dearest seats in the rear stalls. Row M loses 3.0 m off the top of the upstage wall. Row S loses nothing.

The section, in one line

Stage
9.0 × 7.5 m
Stage height
0.90 m
Upstage wall
9.5 m
Gallery leading edge
5.2 m
Best clearance in the house
172 mm

These five numbers produce every figure on this site about every one of the 412 seats. Change one and the whole house recomputes.

1 min

The oldest lamp in the building

There is one bulb we have never let go out, and one member of staff whose job includes keeping a spare for it.

1 min

Ninety minutes between two plays

What actually happens on the stage between a Wednesday matinée coming down and a Thursday evening going up.